‘Minari’ Quietly Unearths the Limits of the American Dream
Vividly rendered and intimately crafted, this story of Korean immigrants in middle America defies language, location, and generation.
The Pop Culture Winners of 2020
How Meg, Dan, Bong, and more made the best out of the absolute worst.
‘Wonder Woman 1984’ Struggles to Solve its Steve Trevor Problem
Gal Gadot and Chris Pine’s potent chemistry swoop in to save a film perilously close to being a hot mess.
Miraculous Performances and Writing Make ‘Ma Rainey’s Black Bottom’ Sing
The screen adaptation is almost too faithful to August Wilson’s play, but any tension melts away when a luminous Chadwick Boseman and fiery Viola Davis enter the frame.
David Fincher’s ‘Mank’ Has a High Barrier to Entry
Stunning but overstuffed, Fincher’s tribute to ‘Citizen Kane’ may require a study guide.
Riz Ahmed Anchors the Innovative, Astonishing ‘Sound of Metal’
Director Darius Marder’s depiction of the Deaf community is nuanced, graceful, and dignified.
The New ‘Rebecca’ Makes You Yearn for the Old One
Armie Hammer and Lily James fail to justify this remake of the Alfred Hitchcock classic.
‘Lovecraft Country’ Shatters Expectations to Excavate Generational Black Trauma
HBO’s supernatural series is an ambitious, audacious reclamation of Black genre fiction.
‘The Trial of the Chicago 7’ Uneasily Balances Levity and Gravity
Aaron Sorkin’s retelling of the notorious Chicago Seven trial both succeeds and struggles because of its timeliness.
‘The Haunting of Bly Manor’ Sits on Shaky but Emotional Ground
The follow-up to ‘The Haunting of Hill House” packs a wallop; it’ll just take some time to get there.
Hollywood Needs to Accept its Streaming Future
COVID-19 has created the largest captive audience in modern history; movie studios shouldn’t squander it.
‘Inuyasha’ Sequel ‘Yashahime: Princess Half-Demon’ Keeps its Cards Close to the Vest
The first episode of the ‘Inuyasha’ sequel is a nostalgic delight, but leaves some key questions unanswered.
