The New ‘Rebecca’ Makes You Yearn for the Old One
Armie Hammer and Lily James fail to justify this remake of the Alfred Hitchcock classic.
Brandon Lewis
A 29 year old trying to navigate a life of pop culture, PR and pressure, sometimes from others, sometimes from myself. Essentially, my life is all about the "p"s.
‘Lovecraft Country’ Shatters Expectations to Excavate Generational Black Trauma
HBO’s supernatural series is an ambitious, audacious reclamation of Black genre fiction.
‘The Trial of the Chicago 7’ Uneasily Balances Levity and Gravity
Aaron Sorkin’s retelling of the notorious Chicago Seven trial both succeeds and struggles because of its timeliness.
‘The Haunting of Bly Manor’ Sits on Shaky but Emotional Ground
The follow-up to ‘The Haunting of Hill House” packs a wallop; it’ll just take some time to get there.
Hollywood Needs to Accept its Streaming Future
COVID-19 has created the largest captive audience in modern history; movie studios shouldn’t squander it.
‘Inuyasha’ Sequel ‘Yashahime: Princess Half-Demon’ Keeps its Cards Close to the Vest
The first episode of the ‘Inuyasha’ sequel is a nostalgic delight, but leaves some key questions unanswered.
Why ‘Game of Thrones’ is the Most Forgotten Show of All Time
The HBO fantasy series’ deeply unpopular ending ruined its long-term prospects by depleting its replay value and squandering years of goodwill.
Ryan Murphy’s ‘The Boys in the Band’ Suffocates and Astonishes
Fifty years and a streaming service hasn’t lessened the emotional wallop of the source material.
#MC30: Mariah Carey’s Greatest Pop Moments
On the heels of her new book and album, a celebration of the pop diva’s singular career.
‘Enola Holmes’ Cracks the Code
Millie Bobby Brown shines in this bright and skippy addition to the Sherlock Holmes universe.
What Hollywood Can Learn From ‘Schitt’s Creek’ and the Socially-Distant Emmys
The first socially-distant ceremony of the fall awards season wasn’t a disaster; the Oscars should take notes.
Mariah Carey’s “Out Here On My Own” is a Newfound Crown Jewel
Mariah Carey’s cover of the Irene Cara classic is an all-time great addition to her legendary canon.
