Armie Hammer and Lily James fail to justify this remake of the Alfred Hitchcock classic.
HBO’s supernatural series is an ambitious, audacious reclamation of Black genre fiction.
Aaron Sorkin’s retelling of the notorious Chicago Seven trial both succeeds and struggles because of its timeliness.
The follow-up to ‘The Haunting of Hill House” packs a wallop; it’ll just take some time to get there.
COVID-19 has created the largest captive audience in modern history; movie studios shouldn’t squander it.
The first episode of the ‘Inuyasha’ sequel is a nostalgic delight, but leaves some key questions unanswered.
The HBO fantasy series’ deeply unpopular ending ruined its long-term prospects by depleting its replay value and squandering years of goodwill.
Fifty years and a streaming service hasn’t lessened the emotional wallop of the source material.
On the heels of her new book and album, a celebration of the pop diva’s singular career.
Millie Bobby Brown shines in this bright and skippy addition to the Sherlock Holmes universe.
The first socially-distant ceremony of the fall awards season wasn’t a disaster; the Oscars should take notes.
Mariah Carey’s cover of the Irene Cara classic is an all-time great addition to her legendary canon.