Vividly rendered and intimately crafted, this story of Korean immigrants in middle America defies language, location, and generation.
The screen adaptation is almost too faithful to August Wilson’s play, but any tension melts away when a luminous Chadwick Boseman and fiery Viola Davis enter the frame.
Stunning but overstuffed, Fincher’s tribute to ‘Citizen Kane’ may require a study guide.
Director Darius Marder’s depiction of the Deaf community is nuanced, graceful, and dignified.
Aaron Sorkin’s retelling of the notorious Chicago Seven trial both succeeds and struggles because of its timeliness.
Fifty years and a streaming service hasn’t lessened the emotional wallop of the source material.
The first socially-distant ceremony of the fall awards season wasn’t a disaster; the Oscars should take notes.
More than usual, this year’s Oscar nominations feel designed to annoy everyone.
Excellent performances and missed opportunities abound in the story of Fox News’ sexual harassment scandal.
The celebrated South Korean auteur’s latest is biting, brutal, and beyond brilliance.
All due respect to the nominees, but this year’s lack of diversity feels especially egregious.
It was a great night for Taron Egerton, not so much for Martin Scorsese.